Adèle Hugo and Sainte-Beuve
The Second SexAdèle Hugo and Sainte-Beuve appear as a brief example of how a lover’s appeal may arise partly from his contrast with a woman’s husband. The text names Sainte-Beuve as Adèle’s seducer and sets him against Victor Hugo, but offers no account of their relationship beyond that contrast.
Context and Presentation
The example occurs in a discussion of relationships that follow marital dissatisfaction. The text observes that a woman may become drawn to a man who suits her after the failure of her marriage, and that he may attract her because he differs radically from her husband. It presents this pattern as one possible route to a lasting relationship, not as a universal rule.
The Contrast with Victor Hugo
Sainte-Beuve’s seduction of Adèle is introduced as a case of precisely this contrast: Sainte-Beuve is set against Victor Hugo. The passage does not describe either man’s conduct toward Adèle, specify what qualities made them different, or recount events in their relationship. Its significance here lies in the contrastive structure of the example, which illustrates the text’s claim that a lover’s appeal can be defined in relation to a husband.
Narrative Significance and Limits
The reference is part of a wider sequence distinguishing brief, unsatisfying liaisons from relationships that may endure after an unhappy marriage. It supports the possibility that marital disappointment can redirect attraction toward a markedly different partner. Because the account is only an illustrative reference, it establishes neither the course nor the outcome of Adèle Hugo and Sainte-Beuve’s relationship; those details remain outside the passage’s scope.